Fairy tales, monsters, and the genetic imagination
Mark Scala
Reading Time
at 250 WPM1h 59m
The average reader, reading at a speed of 250 WPM, would take 1h 59m to read Fairy tales, monsters, and the genetic imagination.
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4
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119
total minutes
Fairy tales, monsters, and the genetic imagination
Published
2012
Publisher
Frist Center for the Visual Arts, Vanderbilt University Press
Pages
119
ISBN-13
9780826518149
ISBN-10
0826518141
Description
Abstract: "This catalog explores the psychological and social implications contained in the hybrid creatures and fantastic scenarios created by contemporary artists whose works will appear in the exhibition 'Fairy Tales, Monsters, and the Genetic Imagination,' which opens at Nashville's Frist Center for the Visual Arts in February 2012. Curator Mark Scala's introductory essay focuses on anthropomorphism in the mythology, folklore, and art of many cultures as it contrasts with the dominant Western view of human exceptionalism. Scala also provides an art historical context, linking the visual fabulists of today to artists of the Romantic, Symbolist, and Surrealist periods who sought to transcend oppositions such as rationality and intuition, fear and desire, the physical and the spiritual. Discussing how artists adapt traditional stories to give mythic form to the very real dilemmas of contemporary life, Jack Zipes's 'Fairy-Tale Collisions' centers on Paula Rego, Kiki Smith, and Cindy Sherman. From a generation of women who have attained prominence since the 1980s, these artists alter fairy-tale imagery to subvert or rewrite social roles and codes. In 'Metamorphosis of the Monstrous,' Marina Warner discusses works in the exhibition in the context of historical conceptions of monsters as expressions of alterity, bestiality, or sinfulness. Her reminder that contemporary monster images offer 'a promise and a warning about the variety, heterogeneity, and possible combinations and recombinations in the order of things' sets the stage for Suzanne Anker's essay, punningly titled 'The Extant Vamp (or the) Ire of It All: Fairy Tales and Genetic Engineering.' Considering representations of hybrid bodies by Patricia Piccinini, Janaina Tschape, Saya Woolfalk, and others, which evoke imagined beings of the past as a way to envision the recombinant creatures that may lie in the future, Anker shows how artists explore the social, ethical, and future implications of biological design and enhanced evolution. Accompanying an exhibition of contemporary art in which depictions of marvelous creatures and fantastic narratives provide both chills and delights, the essays in 'Fairy Tales, Monsters, and the Genetic Imagination' explore the meaning of this fabulist revival through the lenses of social and art history, literature, feminism, animal studies, and science."
Subjects
Frequently Asked Questions
How many pages are in Fairy tales, monsters, and the genetic imagination?
This edition of Fairy tales, monsters, and the genetic imagination has approximately 119 pages. Please note, this is an estimate and the exact page count can vary between hardcover, paperback, and e-book versions.
How long does it take to read Fairy tales, monsters, and the genetic imagination?
For most readers, Fairy tales, monsters, and the genetic imagination typically takes between 2h 29m and 1h 39m to complete. This is based on the book's length of approximately 29,750 words and common reading speeds.
Here's a detailed breakdown: • Continuous reading at 250 WPM: approximately 1h 59m of focused reading • Casual reading (30 minutes/day): you could finish in roughly 4 days • Estimated word count: 29,750 words
Your individual reading time will vary based on your personal reading pace, the amount of daily reading time, and your familiarity with the subject matter.
What is the word count of Fairy tales, monsters, and the genetic imagination?
The estimated word count for Fairy tales, monsters, and the genetic imagination is approximately 29,750 words. This figure is calculated using industry-standard methods that consider genre-specific word density patterns, typical formatting and layout characteristics, and standard words-per-page ratios for published books.
This is an approximation — actual word count may vary based on font size, formatting, edition, and the presence of illustrations or charts.
Who is the author of Fairy tales, monsters, and the genetic imagination?
Fairy tales, monsters, and the genetic imagination was written by Mark Scala, Suzanne Anker.
When was Fairy tales, monsters, and the genetic imagination published?
The publication date for this specific edition is 2012. The original work may have been published on a different date.